Bring That Beat Back
University of Minnesota Press (Verlag)
978-1-5179-0628-3 (ISBN)
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Sampling-incorporating found sound and manipulating it into another form entirely-has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention.
Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.
Nate Patrin is a longtime music critic whose writing has appeared in dozens of publications including Pitchfork, Stereogum, Spin, Bandcamp Daily, Red Bull Music Academy, and his hometown Twin Cities’ alt-weekly City Pages. This is his first book.
Contents
Introduction: The Art of the Loop
Part I. The Grandmaster
1. Wheels of Steel: How Djs Became Artists
2. Change the Beat: Hip-Hop’s First Crossover
3. Funky Drummer: Sampling Reaches the People
Part II. The Prince
4. Synthetic Substitution: A New Medium Finds Its Canon
5. Talkin’ All That Jazz: The Legitimization of an Art Form
6. Constant Elevation: Hip-Hop’s Rising Underground
Part III. The Doctor
7. Funky Enough: How the West was Made
8. G Thang: The Producer as Superstar
9. Aftermath: Auteurism in a Post-Gangsta World
Part IV. The Beat Konducta
10. The Loop Digga: Sampling Preserves History (and Itself)
11. The Illest Villains: High Concepts and New Voices
12. Survival Test: Hip-Hop as a Community
Epilogue: Breaks and Echoes
Acknowledgments
Notes
Bibliography
Selected Discography
Index
| Erscheinungsdatum | 02.01.2020 |
|---|---|
| Zusatzinfo | 4 |
| Verlagsort | Minnesota |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften | |
| ISBN-10 | 1-5179-0628-8 / 1517906288 |
| ISBN-13 | 978-1-5179-0628-3 / 9781517906283 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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