Dancefloor-Driven Literature

The Rave Scene in Fiction

Simon A. Morrison (Autor)

Buch | Hardcover

264 Seiten

2020
Bloomsbury Academic (Verlag)
9781501357671 (ISBN)

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Almost as soon as 'club culture' took hold - during the UK’s Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve.

The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

Simon A. Morrison is Programme Leader for Music Journalism at the University of Chester, UK. He is author of the book Discombobulated (2010) and has reported on the music scene everywhere from Beijing to Brazil; Moscow to Marrakech. He edited Ministry of Sound’s Ibiza magazine and has also produced and presented TV and radio. A screenplay he penned, based on a story he wrote for The Guardian, is about to be produced by the BBC, for broadcast in 2019.

List of Figures
Preface
Permissions
Acknowledgements
1. Introduction: Writing the Beat
2. Sub- vs Supraterranean Cultures
3. Revealing the Scene: The Global Roots of Subterranean Club Cultures
4. Re/presentations of EDMC in Popular Culture Media
5. Defining Dancefloor-Driven Literature
6. Case Study One: The Figurative Use of Music in the Work of Irvine Welsh
7. Case Study Two: Musical Mechanics in the Fiction of Jeff Noon
8. Case Study Three: Literary Diegesis in the Writing of Nicholas Blincoe
9. Conclusion: Towards Subterranean Systems Theory
Glossary of Terms and Theories
Notes
Bibliography
Select EDMC Discography
EDMC Filmography
Appendix I: A Catalogue of Dancefloor-Driven Literature
Index

Erscheinungsdatum	15.05.2020
Verlagsort	New York
Sprache	englisch
Maße	152 x 229 mm
Gewicht	496 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Pop / Rock
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
ISBN-13	9781501357671 / 9781501357671
Zustand	Neuware