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The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext -

The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext

Studies in Archaic and Classical Greek Song, Vol. 5

Bruno Currie, Ian Rutherford (Herausgeber)

Buch | Hardcover
590 Seiten
2019
Brill (Verlag)
978-90-04-41451-8 (ISBN)
CHF 179,00 inkl. MwSt
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In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, twenty-one international scholars discuss the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) from the 5th century BCE to the 12th century CE.
In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets’ Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace’s commentator Porphyrio, and Eustathius on Pindar.

Bruno Currie, DPhil (2000), Oxford University, is Associate Professor of Classics at that university. His research interests include early Greek epic and lyric poetry and Greek religion. He is the author of Pindar and the Cult of Heroes (OUP, 2005) and Homer’s Allusive Art (OUP, 2016). Ian Rutherford, DPhil (1986), Oxford University, Professor of Classics at Reading University, works on Greek poetry and religion and its Mediterranean/W. Asiatic contexts. Recent books include State Pilgrims and Sacred Observers in Ancient Greece (2013) and Greco-Egyptian Interactions (2016). List of Contributors: Andre Lardinois, Eveline van Hilten-Rutten, Gregory Nagy, Claude Calame, Krystyna Bartol, Theodora Hadjimichael, ElsaBouchard, David Fearn, Andrea Capra, Maria Kazanskaya, Ewen Bowie, Gregor Bitto, Stefano Caciagli, Renate Schlesier, Jessica Romney, Jacqueline Klooster, Francesca Modini, Tom Phillips, Enrico Prodi, Johannes Breuer, Arlette Neumann-Hartmann.

Preface
Note on Abbreviations, Texts, and Translations
Notes on Contributors


1 The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization, and Paratext
 Bruno Currie and Ian Rutherford


Part 1 Transmission


2 New Philology and the Classics: Accounting for Variation in the Textual Transmission of Greek Lyric Poetry
 André Lardinois


3 Tyrtaeus the Lawgiver: Plutarch and Diodorus Siculus on Tyrtaeus fr. 4
 Eveline van Hilten-Rutten


Part 2 Canons


4 On the Shaping of the Lyric Canon in Athens
 Gregory Nagy


5 Melic Poets and Melic Forms in the Comedies of Aristophanes: Poetic Genres and the Creation of a Canon
 Claude Calame


6 Structuring the Genre: The Fifth- and Fourth-Century Authors on Elegy and Elegiac Poets
 Krystyna Bartol


Part 3 Lyric in the Peripatetics


7 The Peripatetics and the Transmission of Lyric
 Theodora A. Hadjimichael


8 The Self-Revealing Poet: Lyric Poetry and Cultural History in the Peripatetic School
 Elsa Bouchard


Part 4 Early Reception


9 Lyric Reception and Sophistic Literarity in Timotheus’ Persae
 David Fearn


10 “Total Reception”: Stesichorus as Revenant in Plato’s Phaedrus (with a New Stesichorean Fragment?)
 Andrea Capra


11 Indirect Tradition on Sappho’s kertomia
 Maria Kazanskaya


Part 5 Reception in Roman poetry


12 Alcaeus’ stasiotica: Catullan and Horatian Readings
 Ewen Bowie


13 Pindar, Paratexts, and Poetry: Architectural Metaphors in Pindar and Roman Poets (Virgil, Horace, Propertius, Ovid, and Statius)
 Gregor Bitto


Part 6 Second Sophistic Contexts


14 Sympotic Sappho? The Recontextualization of Sappho’s Verses in Athenaeus
 Stefano Caciagli


15 A Sophisticated hetaira at Table: Athenaeus’ Sappho
 Renate Schlesier


16 Solon and the Democratic Biographical Tradition
 Jessica Romney


17 Strategies of Quoting Solon’s Poetry in Plutarch’s Life of Solon
 Jacqueline Klooster


18 Playing with Terpander & Co.: Lyric, Music, and Politics in Aelius Aristides’ To the Rhodians: Concerning Concord
 Francesca Modini


Part 7 Scholarship


19 Historiography and Ancient Pindaric Scholarship
 Tom Phillips


20 Poem-Titles in Simonides, Pindar, and Bacchylides
 Enrico Emanuele Prodi


21 Ita dictum accipe: Pomponius Porphyrio on Early Greek Lyric Poetry in Horace
 Johannes Breuer


22 Pindar and His Commentator Eustathius of Thessalonica
 Arlette Neumann-Hartmann


Index of Passages
General Index

Erscheinungsdatum
Reihe/Serie Mnemosyne, Supplements ; 430
Verlagsort Leiden
Sprache englisch
Maße 155 x 235 mm
Gewicht 1030 g
Themenwelt Literatur Klassiker / Moderne Klassiker
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 90-04-41451-7 / 9004414517
ISBN-13 978-90-04-41451-8 / 9789004414518
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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