The Beatles and Sixties Britain
Seiten
2020
Cambridge University Press (Verlag)
978-1-108-47724-6 (ISBN)
Cambridge University Press (Verlag)
978-1-108-47724-6 (ISBN)
Marcus Collins writes for anyone interested in the Beatles, the sixties and the relationship between the two. This book's extensive research shows how the Beatles acted as the sand in the oyster of 1960s Britain: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms.
Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms.
Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms.
Marcus Collins is Senior Lecturer in Cultural History at Loughborough University and an elected member of Council of the Royal Historical Society. A specialist on popular culture and social change since 1945, he is author of Modern Love: An Intimate History of Men and Women in Twentieth-Century Britain (2003), editor of The Permissive Society and its Enemies: Sixties British Culture (2007) and co-author of Why Study History? (2020).
Introduction; 1. The other sixties: an anti-permissive permissive society?; 2. Society, 1963–65: The Beatles and modernity; 3. Society, 1966–70: The Beatles go too far; 4. Culture: the Beatles as artists; 5. Politics: the Beatles, parliament and revolution; Conclusion.
| Erscheinungsdatum | 31.12.2019 |
|---|---|
| Zusatzinfo | Worked examples or Exercises; 15 Tables, black and white; 10 Halftones, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 182 x 253 mm |
| Gewicht | 820 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 1-108-47724-0 / 1108477240 |
| ISBN-13 | 978-1-108-47724-6 / 9781108477246 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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