Gardens of Love and the Limits of Morality in Early Netherlandish Art
Seiten
2019
Brill (Verlag)
978-90-04-39295-3 (ISBN)
Brill (Verlag)
978-90-04-39295-3 (ISBN)
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works.
Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works.
Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
Andrea Pearson, Ph.D., has published extensively on women, gender, and sexuality in the early modern Low Countries. She is an associate professor of art history at American University in Washington, D.C.
Acknowledgements
List of Illustrations
Introduction: The Erotics of Virtue
1 Moralized Love
2 Disability and Redemption
3 Monastic Morality
4 Holy Matrimony
5 Infancy Moralized
6 Kissing Kids
Epilogue: The Limits of Mother-Son Eroticism
Bibliography
Index
| Erscheinungsdatum | 01.08.2019 |
|---|---|
| Reihe/Serie | Brill's Studies on Art, Art History, and Intellectual History ; 296/37 |
| Verlagsort | Leiden |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Gewicht | 834 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| Geschichte ► Teilgebiete der Geschichte ► Religionsgeschichte | |
| ISBN-10 | 90-04-39295-5 / 9004392955 |
| ISBN-13 | 978-90-04-39295-3 / 9789004392953 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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