Difficult Subjects
Working Women and Visual Culture, Britain 1880-1914
Seiten
2002
Routledge (Verlag)
978-0-7546-0409-9 (ISBN)
Routledge (Verlag)
978-0-7546-0409-9 (ISBN)
During the period 1880-1914 there was much discussion and unease about the rising number and more visible presence of women in the workforce. This book looks at the representation of working women and how that imagery was used.
The working women of Victorian and Edwardian Britain were fascinating but difficult subjects for artists, photographers, and illustrators. The cultural meanings of labour sat uncomfortably with conventional ideologies of femininity, and working women unsettled the boundaries between gender and class, selfhood and otherness. From paintings of servants in middle-class households, to exhibits of flower-makers on display for a shilling, the visual culture of women's labour offered a complex web of interior fantasy and exterior reality. The picture would become more challenging still when working women themselves began to use visual spectacle. In this first in-depth exploration of the representation of British working women, Kristina Huneault explores the rich meanings of female employment during a period of labour unrest, demands for women's enfranchisement, and mounting calls for social justice. In the course of her study she questions the investments of desire and the claims to power that reside in visual artifacts, drawing significant conclusions about the relationship between art and identity.
The working women of Victorian and Edwardian Britain were fascinating but difficult subjects for artists, photographers, and illustrators. The cultural meanings of labour sat uncomfortably with conventional ideologies of femininity, and working women unsettled the boundaries between gender and class, selfhood and otherness. From paintings of servants in middle-class households, to exhibits of flower-makers on display for a shilling, the visual culture of women's labour offered a complex web of interior fantasy and exterior reality. The picture would become more challenging still when working women themselves began to use visual spectacle. In this first in-depth exploration of the representation of British working women, Kristina Huneault explores the rich meanings of female employment during a period of labour unrest, demands for women's enfranchisement, and mounting calls for social justice. In the course of her study she questions the investments of desire and the claims to power that reside in visual artifacts, drawing significant conclusions about the relationship between art and identity.
Kristina Huneault, Concordia University, Canada
Contents: Introduction; My servant/my self: domestic servants and visual culture; Flower-girls and fictions: selling on the streets; Imag(in)ing industry: order and beauty on the factory floor; 'Living tableaux of misery and oppression': visualising sweated labour; Working women and the visual culture of trade unionism; Epilogue; Index.
| Erscheint lt. Verlag | 23.12.2002 |
|---|---|
| Reihe/Serie | British Art and Visual Culture since 1750 New Readings |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 660 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 0-7546-0409-8 / 0754604098 |
| ISBN-13 | 978-0-7546-0409-9 / 9780754604099 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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