Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Parables for the Virtual - Brian Massumi

Parables for the Virtual

Movement, Affect, Sensation

(Autor)

Buch | Softcover
336 Seiten
2002
Duke University Press (Verlag)
978-0-8223-2897-1 (ISBN)
CHF 38,35 inkl. MwSt
zur Neuauflage
  • Titel erscheint in neuer Auflage
  • Artikel merken
Zu diesem Artikel existiert eine Nachauflage
Views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models.
Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence-movement, affect, and sensation-in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models.

Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.

Brian Massumi is Associate Professor of Communications at the UniversitÉ de MontrÉal. He is the author of User’s Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari and First and Last Emperors: The Absolute State and the Body of the Despot.

Acknowledgments
Introduction: Concrete Is as Concrete Doesn’t
1. The Autonomy of Affect

2. The Bleed: Where Body Meets Image
3. The Political Economy of Belonging and the Logic of Relation

4. The Evolutionary Alchemy of Reason: Stelarc

5. On the Superiority of the Analog
6. Chaos in the “Total Field” of Vision

7. The Brightness Confound
8. Strange Horizon: Buildings, Biograms, and the Body Topologic
9. Too-Blue: Color-Patch for an Expanded Empiricism
Notes
Works Cited
Index

Reihe/Serie Post-Contemporary Interventions
Verlagsort North Carolina
Sprache englisch
Maße 152 x 229 mm
Gewicht 476 g
Themenwelt Geisteswissenschaften Philosophie
Sozialwissenschaften
ISBN-10 0-8223-2897-6 / 0822328976
ISBN-13 978-0-8223-2897-1 / 9780822328971
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich