Judas Iscariot: Damned or Redeemed
T.& T.Clark Ltd (Verlag)
978-0-567-68694-7 (ISBN)
Hebron reveals two distinct theologies: 'rejection' and 'acceptance'. The Nazi Holocaust and the exposure of the horrors of genocide at the end of World War II influenced how Judaism, Jews, and Judas, were to be portrayed in film. Rehabilitating the Judas character and the Jews was necessary, and film was deemed an appropriate medium in which to begin that process.
Carol A. Hebron is an Adjunct Lecturer at Charles Sturt University School of Theology in Brisbane, Australia. She is also Subject Coordinator for Theology, the Arts and Film, Teaching the Bible, Teaching World Religions, and Media, Popular Culture, and the Arts.
Acknowledgements
Reprint Permissions
List of Abbreviations
Introduction: Who Was Judas? Christianity's Evaluation of Judas
Chapter 1. Studying the Filmic Judas Character
Chapter 2. The Silent Era (1902-1927)
Chapter 3. Between the Biblical Epics (1930-1960)
Chapter 4. The Biblical Epics - the Sixties
Chapter 5: The Seventies
Chapter 6: Moving Towards the New Millennium
Chapter 7: The New Millennium
Chapter 8: Judas As Portrayed in Film
Chapter 9: Judas, the Holocaust and Shoah Theology
Conclusion
Bibliography
Index
| Erscheinungsdatum | 25.02.2019 |
|---|---|
| Reihe/Serie | Scriptural Traces |
| Zusatzinfo | 11 bw illus |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 154 x 232 mm |
| Gewicht | 480 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Religion / Theologie ► Christentum ► Kirchengeschichte | |
| ISBN-10 | 0-567-68694-9 / 0567686949 |
| ISBN-13 | 978-0-567-68694-7 / 9780567686947 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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