The British Comic Book Invasion
Alan Moore, Warren Ellis, Grant Morrison and the Evolution of the American Style
Seiten
2018
McFarland & Co Inc (Verlag)
978-1-4766-7415-5 (ISBN)
McFarland & Co Inc (Verlag)
978-1-4766-7415-5 (ISBN)
Explores the relationship between the works of British comic ‘mavericks’ such as Alan Moore and the mainstream comic book style that was dominant at the time - how the British Invasion subverted the norm, but also the many ways in which the movement came to rely on the genius of the American system.
What makes a successful comics creator? How can storytelling stay exciting and innovative? How can genres be kept vital?
Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore (Watchmen, Saga of the Swamp Thing), Grant Morrison (The Invisibles, Flex Mentallo) and Garth Ennis (Preacher) migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system.
What makes a successful comics creator? How can storytelling stay exciting and innovative? How can genres be kept vital?
Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore (Watchmen, Saga of the Swamp Thing), Grant Morrison (The Invisibles, Flex Mentallo) and Garth Ennis (Preacher) migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system.
Jochen Ecke is a lecturer at the University of Koblenz-Landau, Germany. He has published extensively on popular culture, particularly U.S. and British mainstream comic books.
Table of Contents
Acknowledgments
A Note on Referencesviii
Introduction: How to Read This Book
1. U.S. Mainstream Comics of the 1970s and 1980s:
Defining the Mode of Practice
2. The British New Wave of the 1970s and 1980s
3. Alan Moore and the American Mode of Practice
4. “What is there for me to do?” Case Studies in the
Second Wave of the British Invasion
Conclusions: Imagined Readers and the Strange
Afterlives of the British Invasion
Appendix: Interpretation of the Questionnaire
Chapter Notes
Bibliography
Index
| Erscheinungsdatum | 27.12.2018 |
|---|---|
| Reihe/Serie | Critical Explorations in Science Fiction and Fantasy |
| Zusatzinfo | 19 photos, appendix, notes, bibliography, index |
| Verlagsort | Jefferson, NC |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 354 g |
| Themenwelt | Literatur ► Anthologien |
| Literatur ► Comic / Humor / Manga | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-4766-7415-9 / 1476674159 |
| ISBN-13 | 978-1-4766-7415-5 / 9781476674155 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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