The Spectacle 2.0
Reading Debord in the Context of Digital Capitalism
Seiten
2017
University of Westminster Press (Verlag)
978-1-911534-44-0 (ISBN)
University of Westminster Press (Verlag)
978-1-911534-44-0 (ISBN)
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“Necessary reading for scholars interested in theorising the spectacle's relation to the labour theory of value, commodity fetishism and subjectivity under post-Fordism.” - https://www.triple-c.at/index.php/tripleC/article/view/1015/1176
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.
Marco Briziarelli is Assistant Professor of the Department of Communication and Journalism at the University of New Mexico, USA and the co-author of Reviving Gramsci: Crisis, Communication, and Change (2016). Emiliana Armano is PhD in Labour Studies at Department of Social and Political Sciences at the State University of Milan. Her recent publications include (as co-editor) Mapping Precariousness, Labour Insecurity and Uncertain Livelihoods: Subjectivities and Resistance (2017).
| Erscheinungsdatum | 14.12.2017 |
|---|---|
| Reihe/Serie | Critical, Digital and Social Media Studies |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit |
| Sozialwissenschaften ► Kommunikation / Medien ► Allgemeines / Lexika | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Wirtschaft ► Volkswirtschaftslehre ► Wirtschaftspolitik | |
| ISBN-10 | 1-911534-44-0 / 1911534440 |
| ISBN-13 | 978-1-911534-44-0 / 9781911534440 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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