Francesca Woodman and the Kantian Sublime

Claire Raymond (Autor)

Buch | Softcover

186 Seiten

2016
Routledge (Verlag)
978-1-138-24668-3 (ISBN)

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In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.

Claire Raymond teaches in the Studies in Women and Gender Program at the University of Virginia, Charlottesville, USA

Contents: Introduction: geometry of time: Francesca Woodman and the Kantian sublime; Mistresses; Woodman's mirror is an enlightenment mirror; Shaken sublime; Inner force , or, the revelatory body; Mechanics of evanescence; Among the ruins: vertigo, philobats, and statues; Epilogue: the question of Narcissism; Works cited; Index.

Erscheinungsdatum	07.09.2016
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	300 g
Themenwelt	Kunst / Musik / Theater ► Allgemeines / Lexika
	Kunst / Musik / Theater ► Fotokunst
	Geisteswissenschaften ► Philosophie
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
ISBN-10	1-138-24668-9 / 1138246689
ISBN-13	978-1-138-24668-3 / 9781138246683
Zustand	Neuware