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Art for an Undivided Earth - Jessica L. Horton

Art for an Undivided Earth

The American Indian Movement Generation
Buch | Hardcover
312 Seiten
2017
Duke University Press (Verlag)
9780822369547 (ISBN)
CHF 185,00 inkl. MwSt
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Jessica L. Horton explores how the artists of the American Indian Movement (AIM) generation remapped the spatial, temporal, and material coordinates of modernity by placing colonialism's displacement of indigenous people, objects, and worldviews at the center of their work.
In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world-an undivided earth.

Jessica L. Horton is Assistant Professor of Art History at the University of Delaware.

List of Illustrations  ix
Acknowledgments  xiii
Introduction  1
1. The Word for World and the Word for History Are the Same: Jimmie Durham, the American Indian Movement, and Spatial Thinking  16
2. Now That We Are Christians We Dance for Ceremony: James Luna, Performing Props, and Sacred Space  61
3. They Sent Me Way Out in the Foreign Country and Told Me to Forget It: Fred Kabotie, Dance Memories, and the 1932 U.S. Pavilion of the Venice Biennale  94
4. Dance Is the One Activity That I Know Of When Virtual Strangers Can Embrace: Kay WalkingStick, Creative Kinship, and Art History's Tangled Legs  123
5. They Advanced to the Portraits of Their Friends and Offered Them Their Hands: Robert Houle, Ojibwa Tableaux Vivants, and Transcultural Materialism  152
Epilogue: Traveligng with Stones  184
Notes  197
Bibliography  249
Index  283

Erscheinungsdatum
Reihe/Serie Art History Publication Initiative
Zusatzinfo 121 illustrations
Verlagsort North Carolina
Sprache englisch
Maße 152 x 229 mm
Gewicht 771 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften Ethnologie
Sozialwissenschaften Soziologie
ISBN-13 9780822369547 / 9780822369547
Zustand Neuware
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