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The Making of Women Artists in Victorian England - Jo Devereux

The Making of Women Artists in Victorian England

The Education and Careers of Six Professionals

(Autor)

Buch | Softcover
264 Seiten
2016
McFarland & Co Inc (Verlag)
9780786494095 (ISBN)
CHF 53,90 inkl. MwSt
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. Analysing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s produced work that accommodated yet subtly challenged the orthodoxies of the fine art establishment.
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists.

Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage.

Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.

Jo Devereux is an assistant professor in the Department of English and Writing Studies at the University of Western Ontario and lives in London, Ontario, Canada.

Table of Contents

Acknowledgments

Preface

Introduction

One. Women Artists’ Networks at the South Kensington, Royal Academy and Slade Schools, 1860–1910

Two. “The golden spectacles”: Reading Kate Greenaway through Her Mentors

Three. “On the line” at the Royal Academy: Elizabeth Butler and Motion

Four. The Iconography of “Happy England”: Helen Allingham’s Genre Paintings

Five. Galatea Reversed: Princess Louise and Nineteenth-Century Women Sculptors.

Six. “The spirit which animated the workers”: Evelyn De Morgan’s Aesthetic Mannerism

Seven. “[Un]winding the Skein”: Henrietta Rae and the Undraped Nude

Appendix: Artists and Schools

Chapter Notes

Bibliography

Index

Erscheinungsdatum
Zusatzinfo 41 photos, appendix, notes, bibliography, index
Verlagsort Jefferson, NC
Sprache englisch
Maße 152 x 229 mm
Gewicht 358 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften Politik / Verwaltung Politische Theorie
Sozialwissenschaften Soziologie Gender Studies
ISBN-13 9780786494095 / 9780786494095
Zustand Neuware
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