Imaging Disaster
Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923
Seiten
2012
University of California Press (Verlag)
978-0-520-27195-1 (ISBN)
University of California Press (Verlag)
978-0-520-27195-1 (ISBN)
Focusing on one landmark catastrophic event in the history of an emerging modern nation - the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923, this volume examines the history of the visual production of the disaster.
Focusing on one landmark catastrophic event in the history of an emerging modern nation - the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923 - this fascinating volume examines the history of the visual production of the disaster. The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.
Focusing on one landmark catastrophic event in the history of an emerging modern nation - the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923 - this fascinating volume examines the history of the visual production of the disaster. The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.
Gennifer Weisenfeld is Associate Professor in the Department of Art, Art History & Visual Studies at Duke University and the author of Mavo: Japanese Artists and the Avant-Garde, 1905-1931 (UC Press).
Preface Acknowledgments Introduction 1. Earthquakes in Japan: A Brief Prehistory 2. The Media Scale of Catastrophe 3. Disaster as Spectacle 4. The Sublime Nature of Ruins 5. Reclaiming Disaster: Altruism and Corrosion 6. Reconstruction's Visual Rhetoric 7. Remembrance 8. Epilogue: Afterlives Notes Selected Bibliography List of Illustrations Index
| Erscheint lt. Verlag | 11.12.2012 |
|---|---|
| Reihe/Serie | Asia: Local Studies / Global Themes ; 22 |
| Zusatzinfo | 99 color illustrations, 101 b-w photographs |
| Verlagsort | Berkerley |
| Sprache | englisch |
| Maße | 178 x 254 mm |
| Gewicht | 1179 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| Geschichte ► Allgemeine Geschichte ► 1918 bis 1945 | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 0-520-27195-5 / 0520271955 |
| ISBN-13 | 978-0-520-27195-1 / 9780520271951 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Hardcover (2024)
C.H.Beck (Verlag)
CHF 47,60
