Alejandro AmenáBar
Seiten
2012
Manchester University Press (Verlag)
978-0-7190-7589-6 (ISBN)
Manchester University Press (Verlag)
978-0-7190-7589-6 (ISBN)
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Known for his spectacular imagery, memorable soundtracks and challenging subject matter, Alejandro Amenábar makes a serious and socially aware ‘middlebrow’ cinema designed for global audiences. This is the first full-length study in English of the director's shorts and feature films, including Abre los ojos, The Others and Mar Adentro. -- .
Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004.
This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema. -- .
Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004.
This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema. -- .
Barry Jordan is Professor of European Cinema and Culture at De Montfort University, Leicester -- .
1Young Orson, King Midas and the emerging auteur
2From film freak to jack-of-all-trades
3The violent image: Tesis
4Life, death and the Disneyland question: Abre los ojos
5Clean, quiet, scary movies: The Others
6Fighting to die: Mar Adentro
7The rage of unreason: Agora
8Afterword/post-script
Index -- .
| Erscheint lt. Verlag | 30.6.2012 |
|---|---|
| Reihe/Serie | Spanish and Latin-American Filmmakers |
| Zusatzinfo | 10 black & white illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 0-7190-7589-0 / 0719075890 |
| ISBN-13 | 978-0-7190-7589-6 / 9780719075896 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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