Primer for Cadavers (eBook)
480 Seiten
Fitzcarraldo Editions (Verlag)
9781910695227 (ISBN)
Ed Atkins is a British artist based in Copenhagen. In recent years he has presented solo shows at Kunsthaus Bregenz, Martin-Gropius-Bau in Berlin, Castello di Rivoli in Turin, the Stedelijk Museum in Amsterdam, and Serpentine Gallery in London, among others. His artwork is the subject of several monographs, and his writing has appeared in October, Texte zur Kunst, frieze, The White Review, Hi Zero and EROS Journal. A Primer for Cadavers, his first collection, was published by Fitzcarraldo Editions in 2016.
One of the most widely celebrated artists of his generation, Ed Atkins makes videos, draws, and writes, developing a complex and deeply figured discourse around definition, wherein the impossibilities for sufficient representations of the physical, specifically corporeal, world - from computer generated imagery to bathetic poetry - are hysterically rehearsed. A Primer for Cadavers, a startlingly original first collection, brings together a selection of his texts from 2010 to 2016. 'Part prose-poetry, part theatrical direction, part script-work, part dream-work,' writes Joe Luna in his afterword, 'Atkins' texts present something as fantastic and commonplace as the record of a creation, the diary of a writer glued to the screen of their own production, an elegiac, erotic Frankenstein for the twenty-first century.'
Ed Atkins is a British artist based in Copenhagen. In recent years he has presented solo shows at Kunsthaus Bregenz, Martin-Gropius-Bau in Berlin, Castello di Rivoli in Turin, the Stedelijk Museum in Amsterdam, and Serpentine Gallery in London, among others. His artwork is the subject of several monographs, and his writing has appeared in October, Texte zur Kunst, frieze, The White Review, Hi Zero and EROS Journal. A Primer for Cadavers, his first collection, was published by Fitzcarraldo Editions in 2016.
| Erscheint lt. Verlag | 14.9.2016 |
|---|---|
| Nachwort | Joe Luna |
| Verlagsort | London |
| Sprache | englisch |
| Themenwelt | Literatur ► Essays / Feuilleton |
| Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte | |
| Literatur ► Romane / Erzählungen | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Schlagworte | ambitious fiction • A Primer • A Primer for Cadavers • A Primer for Cadavers, A Primer, Cadavers, Ed Atkins, Fitzcarraldo Editions, Serpentine Gallery, contemporary art, fiction, short stories, contemporary fiction, poetry, prose poetry, experimental fiction, experimental writing, art writing, Pierre Guyotat, Bruce Hainley, video art, conceptual art, conceptual writing, experimental prose, JH Prynne, contemporary poetry, Hans Ulrich Obrist, Dan Fox, frieze, Cabinet Gallery, art installation, Joe Luna, body, Gilbert Sorrentino, Graham Lambkin, Robert Bresson, Jo • Art Installation • Artist books • Art Writing • avant-garde fiction • avant-garde poetry. • Avant-garde writing • Body • Bruce Hainley • Cabinet Gallery • cadavers • CGI • Conceptual Art • conceptual writing • contemporary Art • Contemporary fiction • Contemporary poetry • contemporary writing • Dan Fox • David Markson • Ed Atkins • EROS Journal • experimental fiction • Experimental prose • Experimental Writing • Fiction • fiction about body • Fitzcarraldo Editions • Frieze • Gilbert Sorrentino • Graham Lambkin • Hans Ulrich Obrist • Hi Zero • innovative fiction • Jan Svankmajer • Jeremy Prynne • JH Prynne • Joe Luna • John Cassavetes • MoMA PS1 • new writing • october • Palais de Tokyo • Performance Art • Performance Poetry • Pierre Guyotat • Poetry • poetry about body • poetry about the body • prose poetry • Robert Bresson • Roberto Bolaño • Serpentine Gallery • Serpentine Sackler Gallery • Short Stories • Sinkholes • Stedelijk Museum • Texte zur Kunst • The White Review • Tumours • Video art |
| ISBN-13 | 9781910695227 / 9781910695227 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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