Transnational Belonging and Female Agency in the Arts
Bloomsbury Visual Arts (Verlag)
978-1-5013-8837-8 (ISBN)
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Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.
The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate ‘in-between’ spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.
Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen
Basia Sliwinska is an art historian and theorist working as a Research Fellow at the NOVA University Lisbon, Portugal. Recent books include Feminist Visual Activism and the Body, editor (2021), The Evolution of the Image: Political Action and the Digital Self, co-editor (2018) and the monograph The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland (2016). Catherine Dormor is Reader in Textile Practices and Head of Research Programmes at the Royal College of Art, UK. A practicing artist and researcher, her recent publications include the co-edited book The Erotic Cloth: Seduction and Fetishism in Textiles (2018) and A Philosophy of Textile: Between Practice & Theory (2020). She is Regional Editor (Europe) for Textile: the Journal of Cloth & Culture and her artworks feature in a number of international collections.
List of Plates
List of Figures
Acknowledgements
Introduction, Transnational Belonging and Female Agency in the Arts, Catherine Dormor (Royal College of Art, UK) and Basia Sliwinska (NOVA University Lisbon, Portugal)
1. Frayed & Fraying: textile actions and the edges of belonging, Catherine Dormor (Royal College of Art, UK)
2. Species of Space: Marisol, Marta Minujín and Nicola L on Party-going, Domestic Mayhem and Nomadism, Flavia Frigeri (National Portrait Gallery, London)
3. ‘With my portapak on my back’: Identity and Belonging in Shigeko Kubota’s Broken Diary, Helena Shaskevich (CUNY, USA)
4. Patty Chang: Body, Performance, and Transnational Border Crossings, Jane Chin Davidson (Board Member of Art Journal)
5. Borderless and Undocumented: Day by Day in Southeast Asia, Cristina Nualart (IE University, Spain)
6. Suspended: Bahar Behbahani’s Displacement and Longing in the Persian Garden, Aliza Edelman (independent curator, art historian, and editor)
7. Through Walls and Windows: Irene Buarque ´s work in the 1970s, Margarida Brito Alves and Giulia Lamoni (NOVA University Lisbon, Portugal)
8. Disrupting Subaltern Geographies: The Artistic Intersections of Belkis Ayón, Samantha A. Noël (Wayne State University, USA)
9. Keren Anavy’s Garden of Living Images: Transnational Landscapes as Spaces of Ecological Order, Aliza Edelman (independent curator, art historian, and editor) and Ketzia Alon (independent academic, social activist, art curator and critic)
10. Collective Agency: Creative Communities in Australian Feminist Art, Rachael Haynes (QUT, Australia) and Courtney Pedersen (Queensland University of Technology, Australia)
11. Woman Writing’ as a Curatorial Method: Narratives of Belonging in the Art Practices of Chantal Peñalosa and Bridget Smith, Caroline Stevenson (London College of Fashion, UAL, UK)
12. A Smuggler, a Butcher, and a Fairy: Doing Things with One’s Body, Jana Kukaine and Janis Taurens (Art Academy of Latvia)
13. Nieme Szaty Królowej (Queen’s Silent Robes): a collective walk re-claiming female bodily agency through transnational solidarity, Basia Sliwinska (NOVA University Lisbon, Portugal)
Notes on Contributors
Index
| Erscheint lt. Verlag | 9.1.2025 |
|---|---|
| Zusatzinfo | 13 colour & 56 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 1-5013-8837-1 / 1501388371 |
| ISBN-13 | 978-1-5013-8837-8 / 9781501388378 |
| Zustand | Neuware |
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