Banton of Paramount
Haute Couture in Hollywood's Golden Age
Seiten
2026
The Lyons Press (Verlag)
978-1-4930-8502-6 (ISBN)
The Lyons Press (Verlag)
978-1-4930-8502-6 (ISBN)
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An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich.
An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Working at Paramount Pictures from 1925 through 1938, Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich. His peers were Gilbert Adrian at MGM and Orry-Kelly at Warner Brothers; one of his proteges was the legendary designer Edith Head. Eschewing a potentially lucrative legal career, Banton attend the New York School of Fine and Applied Arts, the first school in New York City to offer courses in fashion design. This led to positions with the most famous and successful couturiéres of the day, the British Lady Duff-Gordon and Madame Frances who, despite her name, lived and worked in the United States. They both served as a training ground for Banton’s eventual move to Paramount Pictures in 1925. This celebration of his career and achievements is long overdue.
An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Working at Paramount Pictures from 1925 through 1938, Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich. His peers were Gilbert Adrian at MGM and Orry-Kelly at Warner Brothers; one of his proteges was the legendary designer Edith Head. Eschewing a potentially lucrative legal career, Banton attend the New York School of Fine and Applied Arts, the first school in New York City to offer courses in fashion design. This led to positions with the most famous and successful couturiéres of the day, the British Lady Duff-Gordon and Madame Frances who, despite her name, lived and worked in the United States. They both served as a training ground for Banton’s eventual move to Paramount Pictures in 1925. This celebration of his career and achievements is long overdue.
Howard Gutner first became interested in the Hollywood studio system and its traditional blend of business and art while attending the film studies program at Northwestern University. In 2001 he published Gowns by Adrian: The MGM Years 1928-1941. (Harry N. Abrams). This book was the first comprehensive review of Adrian’s career at Metro-Goldwyn-Mayer. His most recent book is MGM Style: Cedric Gibbons and the Art of the Golden Age of Hollywood. Gutner lives in Brooklyn, New York.
| Erscheint lt. Verlag | 6.1.2026 |
|---|---|
| Zusatzinfo | Illustrations, unspecified; Halftones, Black & White including Black & White Photographs |
| Verlagsort | Guilford |
| Sprache | englisch |
| Maße | 216 x 279 mm |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| ISBN-10 | 1-4930-8502-6 / 1493085026 |
| ISBN-13 | 978-1-4930-8502-6 / 9781493085026 |
| Zustand | Neuware |
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