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Architecture and the Urban in Spanish Film -

Architecture and the Urban in Spanish Film

Susan Larson (Herausgeber)

Buch | Softcover
324 Seiten
2021 | New edition
Intellect Books (Verlag)
978-1-78938-489-5 (ISBN)
CHF 55,90 inkl. MwSt
An international and interdisciplinary group of film, architecture and urban studies scholars examine the relationship between filmmaking – the seventh art – and the built environment. Contributions from scholars in the fields of film, architecture and urban studies. 82 b/w photographs
This will be the first edited collection in English on urban space and architecture in Spanish popular film since 1898. Building on existing film and urban histories, this innovative volume will examine Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality and mass culture from the industrial through to the digital age.



Architecture and Urbanism in Spanish Film brings together the innovative scholarship of an international and interdisciplinary group of film, architecture and urban studies scholars thinking through the reciprocal relationship between the seventh art and the built environment. Some of the shared concerns that emerge from this volume include the ways cinema as a new technology reshaped how cities and buildings are built and inhabited since the early twentieth century; the question of the mobile gaze; film's role in the shifting relationship between the private and the public; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; the impact of the digital and the virtual on filmmaking and spectatorship.



Primary readership will be those researching, teaching and studying Spanish film, international film studies, urban cultural studies, cultural studies, and architects who are interested in interdisciplinary endeavours.

Susan Larson is the Charles B. Qualia Professor of Romance Languages at Texas Tech University, the editor of Romance Quarterly, and the author of Constructing and Resisting Modernity: Madrid 1900–1936.

List of Figures 



Acknowledgments



Introduction Architecture, the Urban and the Critical Possibilities of Spanish Film Studies 



Susan Larson



 



PART 1: ARCHITECTURE AND THE URBAN 



1.Architecture, Urbanistic Ideology and the Poetic- AnalyticDocumentary Mode in Mercado de futuros (2011) by Mercedes Álvarez



Benjamin Fraser



2.Establishing Shots as Urban Blueprints in Spanish Feature Films



Jorge Gorostiza



 



PART 2: MOBILITY



3.The Rhythm of the Modern City: Traffic and Mobility in Spanish Film,1896– 1936 



Nuria Rodríguez- Martín



4.Childhood Spectacle, Modernity and Madrid as a Dystopic City: LuisLucia’s Cerca de la ciudad (1952)



David Foshee



Elevators and the Poetics of Vertical Mobility in Spanish Film



Tom Whittaker



 



PART 3: SURFACE TENSIONS 



6. An Archi- Texture of Pleasure: The Verbena, the Modistilla and the Mantón de Manila in Rosa de Madrid (1927) 



Juli Highfill



7. Surface Tension and Utopian Underworlds: Orpheus and the Executioner in Luis García Berlanga’s El verdugo (1963) 



Patricia Keller



 



PART 4: THE EVERYDAY 



8. Mediating Everyday Life: Domestic Architecture in Spanish Film 



Josefina González Cubero and Alba Zarza Arribas



9. Through the Looking Glass: Images of the Ordinary World in Oscar- Nominated Spanish Cinema 



Emeterio Diez Puertas and María de Arana Aroca



 



PART 5: MEMORY AND THE MONUMENTAL 



10. Who and What Was José Antonio Nieves Conde Criticizing in the Film El inquilino (1957)? 



Susan Larson and Carlos Sambricio



11. Madrid 1964: Icon of Modernity or City of Memory? A Look at the ‘Details’ 



Vicente Sánchez- Biosca



12. Making Madrid Plastic: Waste and Space in Pedro Almodóvar’s Post- movida Films 



Samuel Amago



 



PART 6: THE VIRTUAL 



13. Uncanny Urbanism and Generational Shifts in Carlos Marques Marcet’s 10.000km and Anchor and Hope 



Leigh Mercer



14. Dead to Capitalism: Zombified Territory and Junkie Spaces in Cabanyal Z, or How to Unleash Monstrous Creativity in the Urban 



Stephen Luis Vilaseca



Notes on Contributors 



Index 

Erscheinungsdatum
Zusatzinfo 80 Halftones, black and white
Sprache englisch
Maße 170 x 244 mm
Gewicht 540 g
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Technik Architektur
ISBN-10 1-78938-489-3 / 1789384893
ISBN-13 978-1-78938-489-5 / 9781789384895
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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