Object-Oriented Feminism

Buch | Softcover

280 Seiten

2016
University of Minnesota Press (Verlag)
978-1-5179-0109-7 (ISBN)

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The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses-like speculative realism, object-oriented ontology (OOO), and new materialism-that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials.

This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.”

Seeking not to define object-oriented feminism but rather to enact it, the volume is interdisciplinary in approach, with contributors from a variety of fields, including sociology, anthropology, English, art, and philosophy. Topics are frequently provocative, engaging a wide range of theorists from Heidegger and Levinas to Irigaray and Haraway, and an intriguing diverse array of objects, including the female body as fetish object in Lolita subculture; birds made queer by endocrine disruptors; and truth claims arising in material relations in indigenous fiction and film. Intentionally, each essay can be seen as an “object” in relation to others in this collection.

Contributors: Irina Aristarkhova, University of Michigan; Karen Gregory, University of Edinburgh; Marina Gržinić, Slovenian Academy of Science and Arts; Frenchy Lunning, Minneapolis College of Art and Design; Timothy Morton, Rice University; Anne Pollock, Georgia Tech; Elizabeth A. Povinelli, Columbia University; R. Joshua Scannell, CUNY Graduate Center; Adam Zaretsky, VASTAL.

Katherine Behar is an interdisciplinary media and performance artist and assistant professor of new media arts at Baruch College, City University of New York. She is the author of Bigger than You: Big Data and Obesity, and the co-author, with Emmy Mikelson, of And Another Thing: Nonanthropocentrism and Art. Her art publications include Katherine Behar: E-Waste.

Contents
An Introduction to OOF
Katherine Behar
1. A Feminist Object
Irina Aristarkhova
2. All Objects Are Deviant: Feminism and Ecological Intimacy
Timothy Morton
3. Allure and Abjection: The Possible Potential of Severed Qualities
Frenchy Lunning
4. The World is Flat and Other Super Weird Ideas
Elizabeth A. Povinelli
5. Facing Necrophilia, or “Botox Ethics”
Katherine Behar
6. OOPS: Object Oriented Psychopathia Sexualis
Adam Zaretsky
7. Queering Endocrine Disruption
Anne Pollock
8. Political Feminist Positioning in Neoliberal Global Capitalism
Marina Gržinić
9. In the Cards: From Hearing “Things” to Human Capital
Karen Gregory
10. Both a Cyborg and a Goddess: Deep Managerial Time and Informatic Governance
R. Joshua Scannell
Acknowledgments
Notes
Contributors
Index

Erscheinungsdatum	07.11.2016
Zusatzinfo	32
Verlagsort	Minnesota
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Kunst / Musik / Theater ► Antiquitäten
	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Geisteswissenschaften ► Philosophie ► Metaphysik / Ontologie
	Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie
	Sozialwissenschaften ► Soziologie
ISBN-10	1-5179-0109-X / 151790109X
ISBN-13	978-1-5179-0109-7 / 9781517901097
Zustand	Neuware