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Bergson as Writer - Bruno Clément

Bergson as Writer

Literature in Philosophy

(Autor)

Buch | Hardcover
248 Seiten
2024
Edinburgh University Press (Verlag)
978-1-3995-4044-5 (ISBN)
CHF 165,85 inkl. MwSt
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Examines the importance of expression to the production of meaning in the philosophy of Bergson.
Henri Bergson was awarded The Nobel Prize for Literature in 1927. However, literary writers do not consider him — and in fact never cite him — as one of their own. Bruno Clément reads Henri Bergson as a writer whose thought is inseparable from a tireless reflection on the question of his written expression.

Clément adds new insights into Bergson’s philosophical achievements through an analysis of the literary techniques he develops to express his theoretical insights. This close analysis of rhetorical technique analyses the effect on Bergson’s philosophical texts. Reading all of Bergson’s philosophical texts with the tools of literature, to systematically consider the theoretical consequences, he reveals that Bergson was not only a philosopher but a highly skilled and innovative writer.

Bruno Clément is Emeritus Professor of Literature, Paris 8 University Vincennes-Saint-Denis and is former President of the International College of Philosophy (2004-2007). He is a well-known literary critic and theorist who studies the links between literature and philosophy. He has contributed to Journal of Beckett Studies and The Edinburgh Companion to Virginia Woolf. He is the author of many books in French including L’Œuvre sans qualités, rhétorique de Samuel Beckett, préface de Michel Deguy ("Logique de la figure"), 442 p., Paris, Seuil, 1994 (traduction en espagnol en cours); Le Lecteur et son modèle, coll. "Écriture", 272 p., P.U.F., 1999; La Tragédie classique, Seuil, "Mémo" 100 p., 1999 [ce livre a été traduit en roumain (2000) et en coréen (2002)]; L’Invention du commentaire, Augustin, Jacques Derrida, 175 p., P.U.F., 2000; Le Récit de la méthode, Seuil (collection Poétique »), 2005; La Voix verticale – essai sur la prosopopée, Belin (« L’extrême contemporain »); Henri Bergson, Prix nobel de littérature, Lagrasse, Verdier, 2021. Anthony Uhlmann is Distinguished Professor in the School of Humanities and Communication Arts, Western Sydney University, Australia. He is the author of Beckett and Poststructuralism (Cambridge University Press, 1999), Samuel Beckett and the Philosophical Image (Cambridge University Press, 2006), Thinking in Literature: Joyce, Woolf, Nabokov (Bloomsbury, 2011), J. M. Coetzee, Truth, Meaning, Fiction (Bloomsbury, 2020). He was the Managing Editor of the Journal of Beckett Studies (Edinburgh University Press). He has translated a number of essays from French into English, including, The Exhausted by Gilles Deleuze.

Translator’s Introduction

List of Abbreviations



1

"In other words…"

 

An Author’s Preface

How to Write

The Distinction of a Poet

Penetrating the Veil of Words

Thought and Language

Commentary on Bergson



Philosophy and Literature

The Form of Discourse

In Praise of Approximation

Of the Proper, Of the Image; Of the Figurative, Of the Concept

Forget Words



Three Figures

Zigzag

Giving Voice

To Fabulate

Thinking Through the Imagination



The Words of Philosophy, the Words of Life

Language and Reason

On Metaphor

Language and Continuity

Infinite Correction

Intuition, Image, Concept



Bergson’s Languages

Language and Music

Care of the Symbol

Bilingual Bergson

Reading Bergson



 

2

"… in the same direction as art"

 

Art and Thought

The Measurable and the Unpredictable

Art and Science

Art is an Anti-Concept

A Question of Vision



Art and Philosophy

The Singular, the Universal

The Life and The Work

The Philosopher and his Model



To Philosophize as an Artist

Art, Empathy; Metaphysics, Sympathy

Photography and Translation

On Literary Composition



"We artists…"

The Essence of Art

Bergson Translator

Bergson Musician



 

3

"An Effective Fiction"

 

On the Imagination in Philosophy

The Imagination from a Semantic Point of View...

The Temptation of Fancy

The Imagination, from an Anthropological Point of View

Fancy and Will



Generalized Invention

Circumstance is a Lure

Fiction is a Counter-Power

Evolution is a Fable



Bergson’s Ghost Philosophy

London, just after Bologna

The "Ghosts which Surround Us" and the "Phantasms of the Living"

"The Little Girl and the Learned Doctor", Fable

The Creatures of Dream

"... a dream I indulge in at times..."

"... perhaps even death"



Literature and Philosophy mixed

The Mediating Figure [image] in the Carpet

Henri, Henry and William

Philosophy and Philosophy

Philosophy and Literature

Literature and Literature



Critique of the Imagination, Critique of Bergson



 

4

"… to transfer thought, still living, into the soul of another"

 

Coincidences

Teaching

In Praise of the Hand

Jeanne

Teaching literature

To Hell with Meaning, to Hell with Doctrine



"The Spirt of Form"

To Teach Philosophy is to Philosophize

To Philosophize is to Teach the History of Philosophy

Time and Narrative



Bergson, Among Many Others

For a Written Philosophy, Despite Everything (Plato)

The Textual Aporias of Pure Reason (Kant)



"Words, words, words…"

Thought is Circumstantial...

... figural…

... and textual



Works Cited

Erscheinungsdatum
Übersetzer Anthony Uhlmann
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Geisteswissenschaften Philosophie Metaphysik / Ontologie
Geisteswissenschaften Philosophie Philosophie der Neuzeit
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-3995-4044-0 / 1399540440
ISBN-13 978-1-3995-4044-5 / 9781399540445
Zustand Neuware
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